Movie Reviews

Funny fables from the underworld in ‘Jaffa Stories’ - review

The movie is an adaptation of the series of books called Jaffa Stories by the late journalist Menahem Talmi, which ran in Maariv and has just been reissued in digital editions.

 A SCENE from ‘Jaffa Stories.’
 FRANCOIS CIVIL in ‘The Three Musketeers: Part I – D’Artagnan.’

The new 'Three Musketeers' film gets down and dirty - review

 GAL GADOT in ‘Disney’s Snow White.’

Gadot’s a bad gal, but ‘Snow White’ is bland - film review

 ‘MOTHERLAND’ IS KAN’s new thriller.

Dark police thriller ‘Motherland’ premieres on KAN, Wicked available to stream


‘The Brutalist’ is a pretentious, overlong Oscar-nominated mess

Despite its Oscar buzz, The Brutalist is a tedious, pretentious mess that tests audience patience with its excessive length and heavy-handed messaging.

 ADRIEN BRODY in ‘The Brutalist.’

Shira Haas’s Sabra in 'Captain America': Still Israeli and fierce – review

Marvel’s Captain America: Brave New World sees Shira Haas’s Sabra making waves—without a Mossad background but still proudly Israeli.

 ANTHONY MACKIE as Sam Wilson/Captain America in Marvel Studios’ ‘Captain America: Brave New World.’

‘The Rapture’ tells an age-old story of deception and friendship - review

It’s not easy to bring off such a psychologically complex story, and the director uses some interesting visual elements, especially colors and patterns, to illuminate her themes.

 A SCENE FROM the new French film ‘The Rapture.’

'The Braid': A powerful tale of three women across cultures struggling with crisis - review

Each story is well paced and none completely overshadows the others, although some hit harder.

 A SCENE from ‘The Braid.’

Agatha All Along: Another one bites the dust - review

I know it's not exactly 'woke' to care about Jewish stories (hi, Sabra), but if the goal was redemption… try again, Marvel.

 Kathryn Hahn attends the 49th People's Choice Awards in Santa Monica, California, US, February 18, 2024

In ‘Megalopolis,’ Francis Ford Coppola swings high and misses - comment

Sadly, Megalopolis is nothing but professionalism, a display of what a huge budget can buy, with nothing to make you care, the opposite of the “beautiful little film” he was hoping to see.

 ADAM DRIVER and Nathalie Emmanuel in director Francis Ford Coppola’s ‘Megalopolis.’

Colin Farrell takes on Gotham’s Scarface in compelling gangland saga ‘The Penguin’ - review

Matt Reeves' "The Penguin," a gritty HBO spinoff of "The Batman" starring Colin Farrell, masterfully blends crime drama and comic book lore.

 COLIN FARRELL as Oz Cobb in HBO’s ‘The Penguin.’

'The Teacher's Lounge' tells the story of teacher who cares - review

This German Oscar-nominated film tells the story of a school turned against a devoted teacher.

 LEONIE BENESCH in ‘The Teachers’ Lounge.’

'Thelma': A movie that will ride off with your heart - review

Thelma is a touching and entertaining story about what getting old is like for many people, with real laughs and moving moments.

 JUNE SQUIBB and Fred Hechinger in ‘Thelma.’

Movie ‘Last Summer’ brings viewers on a journey of an illicit and immoral relationship - review

The movie is the story of an illicit and immoral relationship, the kind that once upon a time was winked at when the younger person was a male teenager but is now viewed as a criminal offense.

 LEA DRUCKER and Samuel Kircher in ‘Last Summer.’

'The Monk and the Gun': A look at culture clash in Bhutan's democratic transition - review

The Monk and the Gun is a political satire with a deep meaning, but the spiritual message behind the story sneaks up on you, or rather, you understand and embrace it gradually.

 ‘THE MONK and the Gun’ – a political satire with a deeper meaning.